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A story that revolves around the anti-Japanese occupation and follows Bai Niansheng, a man from the pugilistic world who fight to save his countrymen. The Japanese army began their invasion of China in 1937. Niansheng (Yang Yang) who was raised by an abbot is forced to come down from the mountains to take revenge for his master after he was murdered in the hands of the Wu Hu Clan. Along the way, he saves Han Meiyu (Zhang Jiani) from harm and an extraordinary relationship develops between the two. Tang Si Ye (Lian Yiming), the leader of the Loyalty Hall, and Li Shaofei (Niu Baojun), a member of the Communist party, chance upon mass killings launched by the Japanese to recover the formula for a biological weapon.

based on a story by Mr. Pang and the book “Everyone Loves Tender Woman,” by Loverman. A woman works on her seduction skills in order to win over a platonic male friend who recently found a girlfriend. Soon enough, the two ladies are openly fighting each other for his attention.

In this third installment in the "Iron Ladies" film series, which tells the story of a volleyball team made up of gay and transsexual members, the Iron Ladies are itching to start playing volleyball again after watching an exciting international...

The Fuccons began as a series of comic sketches on the Japanese TV program Vermillion Pleasure Night: A family of Americans, James and Barbara and their son Mikey, move to Japan "to live as Japanese." The brief skits consist of still photographs of window store dummies in Kennedy-era outfits juxtaposed with over-the-top vocal performances and lots of forced laughter. The humor is labored and inane; the dummies--obviously a Japanese take on Caucasians--recall the American cartoons of the 1930s that trafficked in ethnic stereotypes. Graduate students in sociology may someday write theses about what The Fuccons reveals about Japanese attitudes towards Americans; connoisseurs of outré cultural phenomena may revel in the series' we're-so-dumb-we're-hip charms. Episodes run the gamut from the silly to the surreal, sometimes ending with a joke and sometimes not. Episodes invariably end with the characters laughing hysterically, even if the episode ends on a serious note. Occasionally the series diverts from following the Fuccons and instead focuses on a destitute Japanese family, the Kawakitas.