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KSHOW-Actor School

In the mid-to-late 1980s, Xiao Zhan, Cong Xiaoqing, and other domestic college elites from different backgrounds and personalities embarked on a journey of pursuing the American dream. They were the pride of the sky in China, but they turned into phoenixes when they arrived in the United States. Obstructed academic studies, emotional frustration, financial crisis, interpersonal crisis, they face difficulties and ups and downs and finally succeed in their careers. Later, he resolutely chose to return to the homeland of the motherland, work together to start a business, and move forward. From China to the United States, and from the United States to China, for more than 30 years of hardening, the group finally presented a magnificent hymn from the "sea side" to the world in various fields such as scientific research and finance.

When the Daiei studio closed its doors in 1971, their biggest chanbara star Shintaro Katsu already had his own production company Katsu Production set up, and a distribution deal signed with Toho. With most directors and actors now liberated from their long-term contracts with the ailing major studios, and film work harder to come by, Katsu was able to pick and choose from a teeming pool of talent and lined up a series of high-profile projects. He cast Toshiro Mifune and Ayako Wakao to co-star with him in Zatoichi Meets Yojimbo, paired his brother Tomisaburo Wakayama with his favourite Daiei director Kenji Misumi for the Lone Wolf and Cub series, and lured Ken Takakura and Meiko Kaji into his fold for The Homeless, a loose remake of French director Robert Enrico's Les Aventuriers (1967).