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When all the men in her small town turn into zombies and begin to attack the women, Japanese schoolgirl Sakura (Higarino) finds her life turned upside down. The trauma of witnessing the mass murder of her female friends and family members pushes her toward madness. Having few skills and armed only with her English textbook and a kyūdō bow, she sets out to survive. Having visions of a red-headed boy named Billy (Max MacKenzie), a character from one of her books, drives her toward insanity and she begins to lose her grip on reality. She wanders about, narrowly escaping her own death, until she finds Aoi (Mai Tsujimoto), a woman who is both equipped and mentally ready to kill. But this woman is dangerous and, rather than support, offers violence and more punishment. Seeking the real-life version of Billy, Sakura must decide whether to survive and find the answers or give up and die

Chen Cheng’s Taoist Master: Kylin is the quick fire sequel to Wu Yingxiang’s Taoist Master (released just a few months ago, already online), with Fan Siu Wong returning in the role of Zhang Taoling, the founder of the first organized form of Taoism, flanked by his disciple (Li Lubing, also returning). This time, Master Zhang arrives in a village near Mount Yun Jing, where Kylin, the legendary God of the Mountain, is rumored to prey on hunters and those foolhardy enough to venture into the mountain. While Taoist Master was on the higher end of Chinese direct-to-VOD films, this sequel is disappointingly average: it lacks the refreshing presence of Zhang Dong (who played a feisty huntress in the first film), it’s criminally low on fight scenes (one of the original’s strong suits), and the plot is the usual thudding supernatural set-up resolved with the censorship-placating hallucination card.

Adapted from the manga "-50kg no Cinderella" (－50kgのシンデレラ).

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