watchonline

Hinako Todo (Haru) is a rookie detective assigned to the #1 investigation team at the Tokyo Metropolitan Police Department. She became a detective, because she wants to find the boundary between people who kill and those that do not. She always carries with her a shichimi (pepper powder) bottle which was left by her late mother. She sprinkles the shichimi onto everything she eats. One day, Hinako and her colleague detectives go to an area where a body was found. The case is presumed to be a suicide case, but the dead man is a suspect in an unsolved murder case. The man died in the same manner as the victim in the unsolved murder case.

A handsome and attractive young man manages to kick start an unprecedented boom in ballroom dancing in the country. No one knows his exact identity, but we at least understand one thing: that his dance is a type of art in itself. A self-asserted true artist Park Pungsik (played by Lee Seongjae) appears as a lady-killer and teacher of ballroom dance. Formerly an ordinary sales person, Pungsik one day happens to meet his high school classmate Mansu (Kim Suro) who has trained in ballroom dance. From that time on, Pungsik is deeply absorbed in the art of dance and decides to go on a long journey across the nation to find real dance masters. After spending five years of learning from them the real essence of dance art, he returns a true master of dance and lures scores of women by teaching them dance. Finally, Pungsik meets a female detective Song Yeonhwa (played by Park Solmi). Though she is dispatched to arrest him, she later ends up helping him. Actor Lee Seongjae utterly transforms himself from a cold-blooded murderer in "Public Enemy" into a mellifluous, charming guy in this movie. The screenplay is based on the short story "A Writer," written by Seong Seokje.

Dicey Business is a 2006 grand production drama by Television Broadcasts Limited.

Kasumi Takeshi has just retired and is quietly getting into his second life. He never had the luxury of a beer during the day on a weekday during his 35 years as a salaryman. But in that instant Kasumi gets acquainted with the taste of that one glass and eating alone. This is the start of his battle with eating by himself. It is an unexpectedly high hurdle for Kasumi to cross and one that he keeps fretting over.