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The iron-fisted Akhandanand Tripathi is a millionaire carpet exporter and the mafia don of Mirzapur. His son, Munna, is an unworthy, power hungry heir who will stop at nothing to inherit his father’s legacy. An incident at a wedding procession...

TOKYO SONATA is a portrait of a seemingly ordinary Japanese family. The father who abruptly loses his job conceals the truth from his family; the eldest son in college hardly returns home; the youngest son furtively takes piano lessons without telling his parents; and the mother, who knows deep down that her role is to keep the family together, cannot find the will to do so. From the exterior, all is normal and the same. But somehow, a single, unforeseeable chasm has appeared within the family, only to spread ever so quietly and quickly to disintegrate them.

The "anything" consultation office of Suginami Chuo Police Precinct is a department to leave people who have got the boot for causing problems at various places. "Zero is zero no matter how you multiply it." That is to say, good-for-nothings are useless no matter how many people there are. They get ridiculed as the "Zero Section" and have to handle miscellaneous affairs such as annoying, trivial notifications, complaints, claims and troublesome disputes. At the section, the naive Kobayakawa Fuyuhiko, a career police officer from the National Research Institute of Police Science who cannot read situations, teams up with capable veteran detective Terada Torami who was thrown out of the Criminal Affairs Division for causing trouble all the time. Although they do not agree with each other, they take on all sorts of cases and chores with their good-for-nothing colleagues.