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Song dynasty's first prince Kwai Sing (Ngo Ka-nin) and second prince Kwai Wo (Lai Lok-yi) greedily compete for the throne.Yu Jing (Wayne Lai) and Tung Chiu (Kent Cheng) are responsible in advising each prince.Jing and Chiu are old family friends, having a mentor-friend relationship.Jing's father Yu Pok Man (KK Cheung) brought trouble to the family when his achievements made his advisor feel uneasy.Since then, Jing was separated from his younger brother Yu Tsing (Patrick Tang) and sister Yu Ching (Natalie Tong). sing was deceived into becoming an imperial eunuch, while Ching loses her memory,but fortunately triad leader Fan Chiu Lun (Shek Sau) adopts her and triad member Yim Sam Leung (Kristal Tin) takes care of her.Big villain Yeung Chi San (Joseph Lee) and his sister Consort Wai cause much trouble to get Kwai Wo the throne instead. But, perhaps San and Wai are not the only villains, and there are many others that are much more evil...

The legend of Mae Nak Prakanong, about a female spirit in the era of King Rama V, has been repeatedly told in multiple films and TV shows. But not much has been said about her unborn son Dang. This comedy-horror flick will be the first to focus completely on this character, who wants nothing more than to befriend humans.

Can we be rich if we go back 20 years? Based on a unique idea, REWIND is a new quiz show in which a particular year is the subject. In each episode, three teams of celebrities compete to be the best 'investers' of that year. They quiz various topics related to the particular year to make 'seed money,' and invest it in the most promising business at that time. Celebs are confident that they experience or know the past. Can their logical reasoning and bold bet yield the best outcome for them? Will their investment for the past succeed? Please join the quiz show full of laughter and nostalgia!

Following the collapse of his clan, unemployed samurai Hanshiro Tsugumo (Tatsuya Nakadai) arrives at the manor of Lord Iyi, begging to commit ritual suicide on his property. Iyi's clansmen, believing the desperate ronin is merely angling for charity, try to force him to eviscerate himself—but they have underestimated his honor and his past. Winner of the 1963 Cannes Film Festival's Special Jury Prize, Masaki Kobayashi's Harakiri is a scathing denouncement of feudal authority and hypocrisy. Part Review from Film Reference http://www.filmreference.com/Films-Se-Sno/Seppuku.html The recurrent image in Seppuku is of Tsugumo in his black robes (having refused the white ones appropriate to the ritual suicide), seated cross-legged on the white harakiri mat in the center of the courtyard, surrounded by the massed spears of the Iyi warriors, and speaking in calm, unhurried tones. Around this image of charged stillness, the action of the film proceeds through visual compositions of intense lyrical beauty: most notably in the duel between Tsugumo and Omadaka, finest of the Iyi swordsmen, breathtakingly staged as a formal ballet of stylized, sweeping gestures amid long wind-tossed grass. Kobayashi's coolly reticent camera perfectly matches the rhythms of his studied narrative, supported by Toru Takemitsu's evocative score and, in the central role, a performance of epic stature from Tatsuya Nakadai. My Opinion In my opinion this film is a masterpiece and equally as good as any Kurosawa film. I really cant praise this film enough, if you only see one Japanese classic by a master director try this one.