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A mystery thriller about Yoo Jin, who was missing for 25 years, returning home and her brother Seo Jin who feels suspicious of her and the things that happen within the family.

Kang Tae Young (Kim Jung Eun), the daughter of a poor film director, moves to Paris after her father dies. While dreaming of writing a screenplay, she takes a job as a housekeeper at the home of sophisticated, cynical millionaire Han Ki Joo (Park Shin Yang). Han Ki Joo, having moved to Paris to recover from a failed marriage, has his sights set on taking over the position of Chairman in his father's company. The last thing on his mind in this city of love is romance, and he quickly grows impatient with straightforward, spunky Tae Young and fires her. When an opportunity arises to help further his business plans, he hires her to pretend to be his fiance. Gradually the two begin to develop feelings for each other, but misunderstandings quickly divide them, not least of which is Yoon Soo Hyuk (Lee Dong Gun), Ki Joo's nephew and closest friend, who meets and falls in love with Tae Young. Faced with lives, circumstances, and transcontinental distances which seem determined to separate them, this is a story of two lovers overcoming chance, tragedy, and their own fearful hearts to find out whether they can together make more than a beautiful memory in Paris.

An icy-cool pop idol, Sakuraba Yuuichiro, is actually a happy-go-lucky smiling idiot. After falling in love with Sakura, trouble ensues after agreeing to marry into Sakura's family, which consists of her 3 sisters. Of course, more trouble follows trying to hide his marriage from his adoring and rabid fans.

Jia Zhang Ke, a master of modern Chinese cinema, returns 10 years after I Wish I Knew with a documentary. This is the third film of his documentary trilogy of Chinese art, covering literature, following Dong on painting and Useless on fashion design. In May 2019, Jia Zhang Ke returns to his hometown of Shanxi and attends a literature festival. There, four writers of different ages converse over Chinese history since 1949. China’s rapidly changing modern history is embodied in writings and the words of the four that are covered by Shostakovich’s musical motif. The solemnity of the faces of ordinary people simultaneously captured on screen reminds us that this is a film by Jia Zhang Ke.