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Welcome to the Counseling House, the new year's special talk show for the Millenials and the Gen Z. Dr. Oh Eun-young, the famous psychiatrist, accompanied by celebrities representing the M&Z generations, listens to stories of the young people and contemplate realistic and helpful solutions.

Smart, good-looking guy with an appealing personality, Haruno Yoichi thought himself as "perfect husband." However, ever since he and his wife had their first baby, he feels that his wife gives him less and less attention, but he can't figure out why or how to solve the problem. Soon the status of his existence at home has fallen to the level of good-for-nothing, "disappointing husband." His wife Chisato was polite, good-natured and always cheerful – a type of woman that anyone would view as "ideal Japanese wife." Then everything changed after the baby arrived. Now she easily gets irritated by Yoichi’s words and actions and often goes hysterical. Yoichi thinks Chisato somehow has turned into a "monster wife," so to speak. As Yoichi and Chisato face the "Postpartum Crisis" putting their marriage in jeopardy, how will they overcome their conflicts and save their relationship? Will they be able to grow together as husband and wife, as well as father and mother?

he story revolves around Li Sheng’s earnest part-timer character who travels to Shenzhen to find her ex-boyfriend played by Miao Zi Jun. Too bad he’s shacked up with the heiress to a red wine importing company played by Myolie. Li Sheng finds herself embroiled in the success battle between Myolie and her step-mother in the drama. Roy’s character is the younger cousin to Myolie and finds himself constantly butting heads with Li Sheng. He’s a kindhearted guy and helps Li Sheng stay in Shenzhen and lands her a job at the wine company. Native title: 红酒俏佳人

China at the beginning of the eighties: sixteen-year-old Xiao-Yun lives in a small town on the river. When her teacher finds out she is pregnant, she and her boyfriend Wang-Feng are expelled from school. Wang-Feng leaves the town after persuading his sister to look after Yun and then have the baby given up for adoption. The film then returns to Yun’s story ten years after she has given birth and been told that the baby has died. She is still living in her native town and working as a singer. She is having an affair with a married man, but her only real companion is young Xiao-Yong, an inquisitive and impish little boy. He soon becomes her devoted friend, servant and “little brother”. When after a while Yun finds out who Xiao-Yong is, she has to make an agonising decision... Realistic in style, the film is not just a story of the friendship between a grown woman and a child, but an exploration of the influence of family and environment on the development of a young life.