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Based on the hit Chinese novel "Queen Stain", "The Last Woman Standing" follows three modern Chinese women as they deal with love, marriage and family, while searching for their true destiny in life.

Vijay Govind, a young college lecturer who dreams of marriage falls for Geetha, a level-headed woman who's wary of strangers and isn't easy to convince. While things seem to go smoothly, Vijay makes a terrible mistake which not only derails...

What would a Taiwanese Woody Allen movie look like? Probably something on the order of Yang’s panoramic satire of life in the material world of 1990s Taipei, the skyline choked by smog and the neon signs of globally branded corporations. With his rapier wit, Yang observes the self-absorption of a gaggle of twenty-something urbanites, including “culture company” impresario Molly (Ni Shujun), her wealthy fiancée (who fears Molly may be cheating on him), her talk-show-host sister, and the sister’s estranged husband, a novelist whose latest book imagines a reincarnated Confucius returning—with considerable horror—to a modern society ostensibly built upon his teachings. Though it signaled a shift in tone from his earlier, more dramatic films, A Confucion Confusion finds Yang once again searching for the soul of a country he no longer quite recognizes.